LA JOYA DE LA CORONA (1984)
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TÍTULO: The Jewel in the Crown
AÑO: 1984
PAÍS: Gran Bretaña
IDIOMA: Inglés, Hindi
DIRECTOR: Christopher Morahan, Jim O'Brien
INTÉRPRETES: Geraldine James (Sarah Layton), Tim Pigott-Smith (Ronald Merrick), Peggy Ashcroft (Barbie Batchelor), Art Malik (Hari Kumar), Eric Porter (Dimitri Bronowsky), Charles Dance (Guy Perron), Susan Wooldridge (Daphne Manners)
ARGUMENTO: India, 1942. El ejército japonés ha conquistado Birmania y amenaza con invadir la vecina India. Gandhi hace un llamamiento a los británicos a “Abandonar India”. Esta es la historia de unos hombres y mujeres que sufrieron un cambio violento, incluso catastrófico, en sus vidas…
Miniserie británica de 14 episodios, de unos 51 minutos cada uno (excepto el primero, que es doble), adaptación de las novelas “The Raj Quartet” de Paul Scott.
La serie narra, a través de un grupo de personajes, los graves acontecimientos que tuvieron lugar en vísperas de la independencia de la India, considerada hasta entonces como la joya de la corona de la reina Victoria. Granada Television, que adquirió los derechos de la obra de Scott en 1978, pensó en un primer momento embarcarse en una superproducción cinematográfica amparándose en la moda de las historias anglo-indias al estilo de películas como Gandhi o Pasaje a la India y, posteriormente, se decidió por una serie de televisión. La serie se rodó en la India a lo largo de 1982. El director, Christopher Morahan, y el guionista, Ken Taylor, apostaron por una decidida recreación del ambiente y de la moral victoriana imperante aún en la India británica de mediados de siglo.
Algunas capturas:Jewel in the Crown is a fourteen-part serial produced by Granada Studios and first broadcast on British independent television in January 1984. A lavish prestige production, Jewel in the Crown received immediate critical acclaim going on to win several national and international awards and in the process confirming Britain's excellence in the field of television drama. As well as receiving critical attention the serial also proved popular with British audiences. The first run averaged 8 million viewers a week, a significant figure for a "quality" drama on British television.
Based on Paul Scott's Raj Quartet, four novels published between 1966 and 1975, the serial focuses on the final years of the British in India. Set against the backdrop of the second world war and using the rape of an English woman as its dramatic centre,Jewel in the Crown charts a moment of crisis and change in British national history.
The serial should be seen in the context of a cycle of film and television productions which emerged during the first half of the 1980s and which seemed to indicate Britain's growing preoccupation with India, Empire and a particular aspect of British cultural history. Notable examples from this cycle would include A Passage to India(1984) Heat and Dust (1982), and the television drama The Far Pavilions (1984). These fictions were produced during, and indeed reflected, a moment of crisis and change in British life: mass unemployment, the arrival of new social and class configurations tied to emerging political and economic trends all conspired to destabalise and recast notions of national and cultural identity in the early 1980s. While often critical of Britain's past, these fictions nevertheless permitted a nostalgic gaze back to a golden age, presenting a vision of Empire as something great and glorious. These fictions seemed to offer reassurance to the British public, as cultural fetish objects they helped negotiate and manage a moment of social and political upheaval.
If these fictions were ultimately reassuring for certain sections of the British public, thenJewel in the Crown has been seen by at least one commentator, Tana Wollen, to be the least nostalgic and most troubled text in the cycle. However this "trouble" may have less to do with the serial's overt politics and more to do with its form and style. Paul Scott's Raj Quartet are fairly unconventional novels and were not wholly suited to the demands of serial form. Their use of multiple point of view and their elliptical, collage-like narratives were not easily adapted to a form based round linear progression, continuity of action and character and the promise of eventual narrative resolution.
The television adaptation was necessarily a more conventional rendering of the story, the narrative now flattened out and the events subjected to a more chronological ordering. Nevertheless, Jewel in the Crownmanaged to hold on to some of the formal complexity of the novels by employing voice-overs, flashbacks and newsreel inserts, techniques which tend to arrest narrative development giving the serial a heavy, ponderous quality. The adaptation, and Scott's novels, lacked the kind of character development and continuity that we have come to expect from the television serial. By the third episode the serial's central character Daphne Manners is killed off and only one character spans the whole fourteen episodes. This is the evil Ronald Merrick who dies in episode thirteen and only appears in the final part through flashback. However Jewel in the Crown managed to maintain continuity through a series of echoes and motifs: images of fire, the repetition of certain actions and events and the passing down of the lace Christening gown all helped to provide the serial with a formal cohesion that seemed to be lacking at the level of character and plot development. All in all, Jewel in the Crown proved to be a challenging text and demanded from its audience an unusually high degree of commitment and perseverance.
Although Jewel in the Crown was broadcast in 1984, with a repeat screening the following year, by the late 1980s the serial still had a high public profile as it became embroiled in debates about television, quality and the future of British broadcasting. This debate followed legislation calling for the deregulation of the British airwaves which in turn kindled anxieties concerning the fate of public service and quality television. In this debate, as Charlotte Brunsdon has pointed out, Jewel in the Crown, along with Brideshead Revisited, came to represent the "acme of British quality". Elsewhere Jewel in the Crown was being held up as the epitome of excellence. In 1990 the serial was screened at the National Film Theatre as part of a season called "Good-by to all this". Here Jewel in the Crown was described as the "title everyone reaches for when asked for a definition of 'quality television'". Jewel in the Crown came to represent what was at stake in the deregulation of the British airwaves. It articulated fears over what could be lost in the transition from a regulated, public service tradition in broadcasting to a more commercial, market-led system. Increasingly Jewel in the Crownwas coming to represent the golden days of pre-deregulation quality television.
This serial then, had originally emerged as part of a cycle of texts dealing with anxieties over national identity. At a moment of radical change in British life these texts may have offered us a nostalgic vision of a glorious past. By the late 1980s the serial was referring to a more immediate past and a cultural identity bound to a broadcasting tradition of public service and quality drama. In both cases Jewel in the Crown has been able to articulate and represent the anxieties and the sense of loss felt by sections of the British public who were faced with the decline of a particular idea of national and cultural identity.
Museum of Broadcast Communications
Datos técnicos:
Spoiler:
dual español-inglés publicado por otroNick en tusSeries
(hay por ahí subs en inglés que no sé si ajustan, yo la he visto doblada
)Capítulo 1: Cruzando el río
La joya de la corona (1984) 1a.avi [599.54 Mb] 
La joya de la corona (1984) 1b.avi [598.90 Mb] Capítulo 2: Los jardines de Bibighar
La joya de la corona (1984) 2.avi [603.40 Mb] Capítulo 3: Cuestión de lealtad
La joya de la corona (1984) 3.avi [598.72 Mb] Capítulo 4: Incidentes en una boda
La joya de la corona (1984) 4.avi [598.67 Mb] Capítulo 5: La Plaza del Regimiento
La joya de la corona (1984) 5.avi [598.84 Mb] Capítulo 6: Prueba de fuego
La joya de la corona (1984) 6.avi [599.02 Mb] Capítulo 7: Las hijas del regimiento
La joya de la corona (1984) 7.avi [552.30 Mb] Capítulo 8: El día del Escorpión
La joya de la corona (1984) 8.avi [548.82 Mb] Capítulo 9: Las torres del silencio
La joya de la corona (1984) 9.avi [549.34 Mb] Capítulo 10: Una velada con la Maharani
La joya de la corona (1984) 10.avi [553.15 Mb] Capítulo 11: Compañeros de viaje
La joya de la corona (1984) 11.avi [552.59 Mb] Capítulo 12: La habitación Mogmul
La joya de la corona (1984) 12.avi [549.31 Mb] Capítulo 13: La casa de Pandora
La joya de la corona (1984) 13.avi [549.42 Mb] Capítulo 14: El reparto de los despojos
La joya de la corona (1984) 14.avi [549.83 Mb] 
