Cinefórum-Clásico

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 À mort l'arbitre..............................................Jean-Pierre Mocky, 1984
Action of the tiger......................................... Terence Young, 1957
Adam's Rib................................................... George Cukor, 1949
Aguirre, der Zorn Gottes...............................Werner Herzog, 1972
Alexandre le bienheureux.............................Yves Robert, 1967
All through the night.....................................Vincent Sherman, 1941
Alligator people, The.....................................Roy del Ruth, 1959
Alone in the Dark......................................... Jack Sholder, 1982
Amants du Pont-Neuf, Les.............................Leos Carax, 1991
Amic/Amat.....................................................Ventura Pons, 1999
Amnesia.......................................................Gonzalo Justiniano, 1994
Amour d'une femme, L'..................................Jean Gremillon, 1953
Angel at My Table An.....................................Jane Campion, 1990
Angustia........................................................Bigas Luna, 1987
Anna Lucasta................................................Arnold Laven, 1958
Another Shore.............................................Charles Crichton, 1948
Anticristo, L'...................................................Alberto de Martino, 1974
Aozora musume.............................................Yasuzo Masumura, 1957
Apa............................................................... István Szabó, 1966
Aparajito........................................................Satyajit Ray, 1957
Arabesque, ...................................................Stanley Donen, 1966
Asfaltilampaat ...............................................Mikko Niskanen, 1968
Atoll K (Utopía) ..............................................Leo Joannon, 1951
Attack of the puppet people...........................Bert I.Gordon, 1958
Atto d'accusa..................................................Giacomo Gentilomo, 1950
Aussi longue absence, Une............................ Henri Colpi, 1961
Az ötödik pecsét.............................................Zoltán Fábri, Hungría 1976
Azucar amarga................................................León Ichaso, 1996
Back to god´s country..................................Joseph Pevney, 1953
Bajo un mismo rostro.......................................Daniel Tynaire, 1962.
Ball of fire................................................................Howard Hawks, 1941
Banditi a Milano...................................................Carlo Lizzani, 1968
Barro humano, El...........................................Luis Cesar Amadori, 1955
Bas-fonds, Les..................................................... Jean Renoir, 1936
Batallón de sombras, El...........................................Manuel Mur Oti, 1957
Being John Malkovich..............................................Spike Jonze, 1999
Bell, Book and Candle............................................ Richard Quine, 1958
Belle.....................................................................André Delvaux, 1973
Belle equipe, La .................................................Julien Duvivier, 1936
Between two Worlds...........................................Edward A. Blatt, 1944
Bhowani Junction, 1956................................. George Cukor, 1956
Big heat, The..................................................... Fritz Lang, 1953
Big shakedown, The................................................John Francis Dillon, 1934
Big Wednesday.....................................................John Milius, 1978
Birds, The........................................................Alfred Hitchcock, 1963
Bisturí, la maffia blanca..........................................Luigi Zampa, 1974
Black zoo........................................................Robert Gordon, 1963
Blaue engel, Der...............................................Josef von Sternberg, 1930
Bob le flambeur ............................................. Jean-Pierre Melville, 1956
Boca del lobo, La ....................................................Francisco J.Lombardi, 1988
Body and soul........................................................Robert Rossen, 1947
Bonheur Le........................................................Agnès Varda, 1965
Boulevard..............................................................Julien Duvivier, 1960
Breza.....................................................................Ante Babaja, 1967
Brides of Dracula................................................Terence Fisher,1960
Brief encounter................................................... David Lean, 1945
Bruto, El................................................................Luis Buñuel, 1953
Brutti, sporchi e cattivi,..........................................Etore Scola, 1976
Büchse der Pandora, Die........................................G. W. Pabst, 1929
Bullfighter and the lady..........................................Budd Boetticher, 1951
Bure baruta.......................................................Goran Paskaljevic, 1998
Burglar, The........................................................(Paul Wendkos, 1957)
Buta to Guntan....................................................Shôhei Imamura, 1961
Cabaret...................................................................Bob Fosse, 1972
Cabinet of Caligari, The............................................Roger Kay, 1962
Caccia all'uomo........................................................Riccardo Freda, 1961
Caidos del cielo...................................................Francisco J. Lombardi, 1990
Campana del infierno, La................................... Claudio Guerin-Hill, 1973
Canoa...................................................................Felipe Cazals, 1976
Caporal éplingé, Le..................................................Jean Renoir, 1962
Capriccio all'italiana...............................................VV. AA., 1968
Capricorn One....................................................... Peter Hyams, 1977
Captive wild woman .............................................Edward Dmytryk, 1943
Caravaggio............................................................Derek Jarman, 1986
Career ...................................................................Joseph Anthony, 1959
Carnet de bal, Un....................................................Julien Duvivier, 1937
Casque d'or.............................................................Jacques Becker, 1952
Cast a dark shadow...............................................Lewis Gilbert, 1955
Celine..................................................................Jean-Claude Brisseau, 1992
Cena, La.................................................................Ettore Scola, 1998
Cerný Petr..............................................................Milos Forman, 1964
Cesta do Praveku....................................................Karel Zeman, 1955
Chacal de Nahueltoro, EL..........................................Miguel Littin,1969
Champagne for Caesar........................................Richard Whorf, 1950
Charade................................................................Stanley Donen, 1963
Charge of the Light Brigade, The............................Michael Curtiz, 1936
Charme discret de la bourgeoisie, Le........................Luis Buñuel, 1972
Checkpoint - Sangre en el asfalto...........................Ralph Thomas, 1959
Chemin des ecoliers, Le........................................Michel Boisrond, 1959
Chica del lunes, La.................................................Leopoldo Torre Nilsson, 1967
Chistoe nebo.............................................................Grigoriy Chukhray, 1961
Chosen Survivors ......................................................Sutton Roley, 1974
Ciske de Rat.............................................................. Wolfgang Staudte, 1955
City that never sleeps, The........................................John H.Auer, 1953
Cléo de 5 à 7 .............................................................Agnès Varda, 1962
Clonus Horror, The.....................................................Robert S. Fiveson, 1979
Combat dans l'île, Le .................................................Alain Cavalier, 1962
Comédia de Deus A...................................................João César Monteiro, 1995
Comment je me suis disputé… (ma vie sexuelle)........Arnaud Desplechin, 1996
Confessione di un commissario............................ Damiano Damiani, 1971
Contes immoraux.................................................Walerian Borowczyk, 1974
Cop hater...................................................................William Berke, 1958
Copycat.........................................................................John Amiel, 1995
Corruzione, La .........................................................Mauro Bolognini, 1963
Côté d'Orouët Du............................................... Jacques Rozier, 1973
Count five and die..............................................Victor Vicas, 1957
Coup de torchon.................................................Bertrand Tavernier Tavernier, 1981
Covek nije tica.................................................Dusan Macavejev, 1965
Crime de Monsieur Lange, Le...............................Jean Renoir, 1936
Crime of Passion................................................Gerd Oswald, 1957
Crimen ...............................................................Mario Camerini, 1960
Cry tomorrow ll.....................................................Daniel Mann, 1955
Curse of the faceless man, The.......................Edward L.Cahn,1958
Cutter's Way.....................................................Ivan Passer, 1981
Dark Command .........................................................Raoul Walsh, 1940
Days of heaven....................................................... Terrence Mallick, 1978
De cierta manera.................................................Sara Gomez, 1974
De l'amour............................................................Jean Aurel, 1964
Dead and Buried, ................................................ Gary Sherman, 1981
Dead men don´t wear plaid..................................Bob Reiner,1982
Dead Ringer..........................................................Paul Henreid, 1964
Deadly Friend.......................................................Wes Craven, 1986
Dear Murderer..................................................Arthur Crabtree, 1947
Dédée d'Anvers.....................................................Yves Allégret, 1948
Deep End............................................................Jerzy Skolimowski, 1970
Delitto d'amore.....................................................Luigi Comencini, 1974
Der Tod der Maria Malibran...................................Werner Schroeter, 1972
Der Verlorene...........................................................Peter Lorre, 1951
Derecho de nacer, El...................................Zacarías Gómez Urquiza, 1952
Des gens sans importance............................Henri Verneuil, 1956
Desnuda en la arena............................................Armando Bo, 1969
Deux hommes dans Manhattan......................Jean-Pierre Melville, 1959
Devil and Miss Jones, The......................................Sam Wood, 1941
Devil Rides Out, The.............................................Terence Fisher, 1968
Devil's agent, The ..........................................John Paddy Carstairs, 1962
Devil's rain......................................................Robert Fuest, 1975
Diaboliques, Les...................................... Henri-Georges Clouzot, 1955
Dialogue des carmelites.............................PAgostini, RLBruckberger, 1960
Dillinger.......................................................John Milius, 1973
Diputado, El....................................................Eloy de la Iglesia, 1978
Distant Drums...................................................Raoul Walsh, 1951
Distant Trumpet, A.............................................Raoul Walsh, 1964
Dites-lui que je l'aime........................................Claude Miller 1977
Divorzio all'italiana..............................................Pietro Germi, 1961
Doce sillas, Las.............................................. Tomas Gutierrez Alea, 1962
Dodsworth...................................................... William Wyler, 1936
Dogadjaj........................................................Vatroslav Mimica,1969
Don't look now..................................................Nicolas Roeg, 1973
Donna della domenica, La................................Luigi Comencini, 1975
Donna del fiume La............................................Mario Soldati, 1954
Dorp aan de rivier.............................................Fons Rademakers, 1958
Doulos, Le.........................................................Jean-Pierre Melville, 1962
Down by Law...................................................Jim Jarmusch, 1986
Dresser The......................................................Peter Yates, 1983
Drolesse La........................................................Jacques Doillon, 1979
Du rififi chez les hommes..................................Jules Dasin, 1955
Duel in the jungle..........................................George Marshall, 1954
Eaten alive--Death trap..................................Tobe Hooper, 1977
Eaux profondes.............................................Michel Deville,1981
Effi Briest..................................................Rainer Werner Fassbinder, 1974
Ein blonder traum..............................................Paul Martin, 1932
Einstein des sex, Der.................................Rosa von Praunheim, 1999
En lektion i kärlek............................................Ingmar Bergman, 1954
Ensayo de un crimen...................................... Luis Buñuel, 1955
Era notte a Roma, ....................................... Roberto Rossellini, 1960
Eraserhead......................................................David Lynch. 1977
Es geschah am hellichten Tag.............................Ladislao Vadja, 1958
Escopeta nacional, La......................................Luis García Berlanga, 1978
Esperando la carroza.............................................. Alejandro Doria, 1985
Estate Violenta.........................................................Valerio Zurlini, 1959
Evdokia.................................................................Alexis Damianos, 1971
Exilio de Gardel, El ............................................. Fernando Solanas, 1985
Fair Wind to Java..................................................Joseph Kane 1953
Familia...................................................... Fernando León de Aranoa, 1996
Family plot............................................................ Alfred Hitchcock, 1976
Fashions of 1934................................................... William Dieterle, 1934
Fe, La......................................................................Rafael Gil, 1947
Femme à sa fenêtre, Une ................................Pierre Granier-Deferre, 1976
Femme douce, Une ...............................................Robert Bresson, 1969
Femme qui pleure, La ...............................................Jacques Doillon, 1979
Fiaca, La................................................................ Fernando Ayala, 1969
Fiend who walked the west, The ...........................Gordon Duglas, 1958
Fille Aux Yeux D'Or, La ................................... Jean-Gabriel Albicocco, 1961
Fire in the sky.....................................................Robert Lieberman, 1993
Five..............................................................Arch Oboler, 1951
Five Fingers .....................................................Joseph L. Mankiewicz, 1952
Flambierte Frau, Die ...........................................Robert van Ackeren, 1983
Flamme dans mon coeur, Une .....................................Alain Tanner, 1987
Flight of the Phoenix, The .....................................Robert Aldrich, 1965
Flight to Hong Kong...........................................Joseph M.Newman, 1956
Flipper................................................................James B. Clark, 1963
Foreign Correspondent...........................................Alfred Hitchcock, 1940
Forty Guns.........................................................Samuel Fuller, 1957
Foreign Intrigue................................................Sheldon Reynolds, 1956
Fortune carrée......................................................Bernard Borderie, 1955
Four girls in town..................................................Jack Sher, 1957.
Frankenstein Unbound........................................Roger Corman, 1990
From Hell to Texas................................................ Henry Hathaway, 1958
From here to eternity............................................Fred Zinnemann, 1953
Fugitive, The ....................................................................John Ford, 1955
Gatto a nove code, Il.............................................. Dario Argento, 1971
General, The..................................................... Keaton, Bruckman, 1926
Gentleman Jim....................................................Raoul Walsh,
Ghost.....................................................Jerry Zucker, 1990
Ghost Dog, The Way of the Samurai......................Jim Jarmusch, 1999
Ghost ship.......................................................Vedrnon Sewell,1952
Giovani mariti...................................................Mauro Bolognini, 1958
Girl in black stockings, The...............................Howard W.Koch, 1957
Girl in the news...........................................Carol Reed, 1940
Girolimoni, il mostro di Roma................................Damiano Damiani, 1972
Gli occhi, la bocca...............................................Marco Bellocchio, 1982
Gojira..................................................................Ishirô Honda, 1954
Golfos, Los............................................................Carlos Saura, 1960
Gone with the Wind ..............................................Victor Fleming, 1939
Good Morning Babilonia.......................................Hermanos Taviani, 1986
Gorille vous salue bien, Le.................................... Bernard Borderie. 1958
Goupi mains rouges.......................................... Jacques Becker, 1943
Grand patron, Un .......................................................... Yves Ciampi, 1951
Grande Guerra, La..................................................Mario Monicelli, 1959
Great lie, The.....................................................Edmund Goulding, 1941
Green Light..............................................................Frank Borzage, 1937
Green mansions.....................................................Mel Ferrer, 1959
Groundhog Day..........................................................Harold Ramis, 1993
Guappi, I ...................................................Pasquale Squiteri, 1974
Gun runners, The..............................................Don Siegel, 1958
Guns of darkness............................................Anthony Asquith, 1962
Fedra.............................................................Manuel Mur Oti, 1956
Habit....................................................Larry Fessenden, 1995
Hamlet...................................................................Laurence Olivier, 1948
Han matado a un cadaver ......................................... Julio Salvador, 1962
Hanyo.........................................................................Kim Ki-young, 1960
Harder They Fall, The ........................................... Mark Robson, 1956
Hatsukoi: Jigoku-hen.............................................. Susumu Hani, 1968
Hardly Working................................................... Jerry Lewis, 1980
Heavy.............................................................James Mangold 1995
He knows you´re alone.............................................Armand Mastroiani, 1980
Hell below zero..................................................Mark Robson, 1954
Hell drivers......................................................Cy Endfield, 1957
Hell Harbor.......................................................Henry King, 1930
High Cost of Loving, The..........................................José Ferrer, 1958
High School Confidential........................................Jack Arnold, 1956
Hijo del crack, El.......................................Torres Ríos, Torre-Nilsson, 1953
Hin helgu vé....................................................Hrafn Gunnlaugsson, 1993
Histoires extraordinaires.......................................VV.AA.,1968
Historia oficial, La............................................Luis Puenzo, 1985
Hofkonzert, Das..................................................Douglas Sirk, 1936
Hollywood or Bust.................................................Frank Tashlin, 1956
Home, Sweet Home...............................................David W. Griffith, 1914
Homme aux cleffs d'or, L' .......................................Leo Joannon, 1956
Honeymoon Killersa, The.......................................Leonard Kastle, 1969
Honolulu................................................................Edward Buzzell, 1939
House of numbers....................................................Russell Rousse, 1957
Howling, The..................................................Joe Dante, 1981
Hush...hush... sweet Charlotte.....................Robert Aldrich, 1964
I am a camera..............................................Henry Cornelius, 1955
I Was a Communist for the FBI............................... Gordon Douglas, 1951
Ikiru...................................................................Akira Kurosawa, 1952
Important c'est d'aimer, L' ........................................Andrzej Zulawski, 1975
In jenen Tagen....................................................Helmut Käutner, 1947
In the Mouth of Madness ..........................................John Carpenter, 1994
Indian Summer ..............................................Nancy Meckler, 1996
Inferno..............................................................Dario Argento, 1980
Informer The.........................................................John Ford, 1935
Inherit the wind..............................................Stanley Kramer, 1960
Interlude........................................................Douglas Sirk, 1957
Intolerable Cruelty....................................... Joel Coen, Ethan Coen, 2003
Invaders from Mars..........................William Cameron Menzies,1953
Invasion of the Bee Girls.......................................... Denis Sanders, 1973
Island of Terror......................................................... Terence Fisher, 1966
It always rains on sunday.......................................... Robert Hamer, 1947
Jabberwocky.........................................................Terry Gilliam, 1977
Jardinier d'Argenteuil, Le....................................Jean-Paul Le Chanois, 1966
Je t'aime je t'aime ...................................................Alain Resnais, 1968
Je t'aime moi non plus..............................................Serge Gainsbourg, 1976
Jeu de la verité, Le ...............................................Robert Hossein, 1961
Jitterbugs..................................................................Malcolm St. Clair, 1943
Johnny Belinda........................................................Jean Negulesco, 1948
Journey into fear..................................................Daniel Mann, 1975
Jubal...................................................................Delmer Daves, 1956
Juego de la oca, El................................................Manuel Summers, 1965
Juliette ou la clef des songes....................................... Marcel Carné, 1951
Jungfrukällan.........................................................Ingmar Bergman, 1960
Juste avant la nuit ................................................ Claude Chabrol, 1971
Keeper of the Flame................................................George Cukor, 1942
Kelly's Heroes........................................................Brian G.Hutton,1970
Khang lang phap.......................................................Cherd Songsri, 2001
Killing, The..............................................................Stanley Kubrick, 1956
Kin-dza-dza ......................................................... Georgiy Daneliya, 1986
Kindred, The.......................................................Stephen Carpenter,1987
King and country.......................................................Joseph Losey, 1964
Kiss me deadly......................................................... Robert Aldrich, 1955
Kiss me, stupid...................................................... Billy Wilder, 1964
Klassenverhältnisse............................Danièle Huillet, Jean-Marie Straub, 1984
Kochiyama Soshun...............................................Sadao Yamanaka, 1936
Körhinta...............................................................Zoltan Fabri, 1956
Korol Lir..............................................................Grigori Kozintsev, Iosif Shapiro, 1971
Koroshi no rakuin......................................................Seijun Suzuki, 1967
Kozijat rog............................................................. Metodi Andonov, 1972
Krylya.....................................................................Larisa Shepitko, 1966
Kundskabens træ....................................................Nils Malmros, 1981
Kuroi yuki...............................................................Tetsuji Takechi, 1965
Lady Eve, The...........................................................Preston Sturges, 1941
Ladybug Ladybug....................................................Frank Perry, 1963
Last Man on Earth, The.......................................... Ubaldo Ragona,1964
Last Tango in Paris............................................Bernardo Bertolucci, 1972
Lautarii.............................................................Emil Loteanu, 1972
Lavender Hill Mob, The ......................................... Charles Crichton, 1951
Letyat zhuravli...................................................Mikhail Kalatozov, 1957
Letzte Brücke, Die ..............................................Helmut Käutner, 1954
Libeled Lady,.................................................... Jack Conqay, 1936
Life and Death of Colonel Blimp, The......................Michael Powell, 1943
Lilith.........................................................................Robert Rosen, 1964
Limelight................................................................Charles Chaplin, 1952
Limping Man, The....................................................Cy Endfield, 1953
Little foxes, The................................................ Willliam Wyler, 1941
Lonelyhearts......................................................Vincent J.Donehue, 1958
Lonely Are the Brave..............................................David Miller, 1962
Long Gray Line, The...............................................John Ford, 1955
L'orribile segreto del Dr. Hichcock..........................Riccardo Freda, 1962
Lost..............................................................Guy Green, 1956
Lucía.............................................................Humberto Solás, 1968
Lugar del humo......................................................Eva Landeck, 1979
Lulu on the Bridge,........................................... Paul Auster, 1998
Luna de miel..........................................................Michael Powell, 1959
Madelein, ............................................................. David Lean, 1950
Madre muerta La....................................................Juanma Bajo Ulloa, 1993
Madriguera La.........................................................Carlos Saura, 1969
Magnum Force .........................................................Ted Post, 1973
Majo no takkyubin.....................................................Hayao Miyazaki. 1989
Majstori, majstori..................................................Goran Markovic, 1980
Maladie de Sachs, La............................................. Michel Deville, 1999
Malibran, La............................................................Sacha Guitry, 1944
Mama's dirty girls...................................................John Hayes, 1974
Mami Blue.............................................. Miguel Ángel Calvo Buttini, 2010
Man Affraid..............................................................Harry Keller, 1957
Man of the moment...................................John Paddy Carstairs,1955
Man on a string..........................................André de Toth, 1960
Man to Man...............................................................Allan Dwan, 1930
Manche et la belle, Une ...................................Henri Verneuil, 1957
Man who finally dies, The ...........................Quentin Lawrence, 1963
Marianne de ma jeunesse .........................................Julien Duvivier, 1955
Marked woman.....................................................Lloyd Bacon, 1937
Marnie...........................................................Alfred Hitchcock, 1964
Martin Roumagnac................................................George Lacombe, 1946
Ma saison préférée.............................................André Téchiné, 1993
Mephisto waltz, The ................................................Paul Wendkos, 1971
Meloldrama?......................................................Nikos Panayotopoulos, 1980
Mia zoi tin ehoume.......................................... Yorgos Javellas, 1958
Midnight lace................................................David Miller, 1960
Mifunes sidste sang..........................................Søren Kragh-Jacobsen, 1999
Ministry of Fear..........................................................Fritz Lang, 1944
Miracle worker, The...................................................... Arthur Penn, 1962
Misterios de ultratumba...................................... Fernando Méndez, 1959
Mononoke-hime......................................................Hayao Miyazaki, 1997
Monsieur Verdoux...................................................Charles Chaplin, 1947
Mordets melodi.....................................................Bodil Ipsen, 1944
Morgan: A Suitable Case for Treatment .............................Karel Reisz, 1966
Mort en ce jardin, La .............................................Luis Buñuel, 1956
Mother India........................................................... Mehboob Khan, 1957
Mouchette......................................................Robert Bresson, 1967
Mujer de Benjamín La.. ............................................Carlos Carrera. 1991
Mundo sigue, El........................................Fernando Fernán Gómez, 1963
Mysterious Island ..............................................Cy Endfield, 1961
Nachts, wenn der Teufel kam.............................Robert Siodmak, 1957
Naked jungle, The .............................................Byron Haskin, 1954
Nana............................................................... Christian-Jacque, 1955
Nanny, The ..................................................Seth Holt, 1965
Navigator: A Mediaeval Odyssey, The......................Vincent Ward, 1988
Nayak........................................................ Satyajit Ray, 1966
Nazarín............................................................ Luis Buñuel, 1959
Nella città l'inferno.............................................. Renato Castellani, 1959
Never give a sucker an even break........................Edward F. Cline, 1941
New York Stories......................... W.Allen, F. F. Copolla, M. Scorsese, 1989
Nightmare alley..........................................Edmund Goulding, 1947
Nobleza baturra..........................................Florián Rey, 1935
No Greater Glory.............................................Frank Borzage, 1934
Non credo più all'amore .......................................Roberto Rossellini, 1954
Notre Dame de Paris.........................................Jean Delannoy, 1956
Notti di Cabiria, Le....................................................Federico Fellini, 1957
Nunta de piatra...........................................Dan Pita, Mircea Veroiu, 1973
Nuovi mostri, I.................................................... Monicelli, Risi, Scola, 1977
O Dragão da Maldade contra o Santo Guerreiro (Antonio das Mortes).. Glauber Rocha, 1969
O pagador de promessas..............................................Anselmo Duarte, 1962
Obchod na Korze........................................................ Kadar y Klos, 1965
Obssession ........................................................ Edward Dmytryck, 1949
Odd Man Out.................................................................Carol Reed, 1947
Odessa file, The........................................................Ronald Neame, 1974
Oeil du malin, L'...................................................... Claude Chabrol, 1962
Once upon a time in America.......................................Sergio Leone, 1984
Operación Ogro................................................ Gillo Pontecorvo, 1979
Ordonnance, L'.................................................... Viktor Tourjanski, 1933
Ordres, Les.........................................................Michel Brault, 1974
Ossessione............................................................ Luchino Visconti, 1943
Ostre sledované vlaky (Trenes rigurosamente vigilados) ..................... Jiri Menzel, 1966
Othello...................................................................Stuart Burge, 1965
Otra, La ........................................................Roberto Gavaldón, 1946
Out of the fog.......................................................... Anatole Litvak, 1941
Padre nuestro....................................................Francisco Regueiro, 1985
Páginas del diario de José Martí...........................José Massip, 1971
Pájaros de Baden-Baden, Los .................................Mario Camus, 1975
Palm Beach Story, The........................................Preston Sturges, 1942
Panic in Needle Park, The ..................................... Jerry Schatzberg, 1971
Paolo e Francesca.................................................Raffaello Matarazzo, 1949
Paperhouse.......................................................Bernard Rose, 1988
Parapluies de Cherbourg, Les ....................................Jacques Demy, 1964
Paris brûle-t-il?................................................René Clément, 1966
Perceval le Gallois..............................................Eric Rohmer, 1978
Perfect Friday...................................................Peter Hall, 1970
Pidä Huivista Kiinni, Tatjana...............................Aki Kaurismäki, 1994
Piscine, La .....................................................Jacques Deray,1969
Plaisir, Le .....................................................Max Ophüls, 1952
Pociag...........................................................Jerzy Kawalerowicz, 1959
Pokolenie........................................................Andrzej Wajda, 1955
Ponette..........................................................Jacques Doillon, 1996
Portes de la nuit, Les....................................... Marcel Carné, 1946
Possession.......................................................Andrzej Zulawski, 1981
Pratidwandi....................................................... Satyajit Ray, 1970
President's lady, The ........................................Henry Levin, 1953
Prima notte di quiete, La .....................................Valerio Zurlini, 1972
Princess Bride, The.....................................................Rob Reiner, 1987
Procès de Jeanne d'Arc..................................................Robert Bresson, 1962
Profondo rosso..........................................................Dario Argento, 1975
Prospero's Books........................................................Peter Greenaway, 1991
Przesluchanie.......................................................Ryszard Bugajski, 1989
Psycho ..................................................................Alfred Hitchcock, 1960
Puene El...................................................................J.A. Bardem, 1977
Quadrophrenia.......................................................Frank Roddam, 1979
Quai des Orfèvres................................................ Henri-Georges Clouzot, 1947
Quatre cents coups, Les....................................... François Truffaut, 1959
Que Dios me perdone....................................................Tito Davison, 1948
Quicksand,.............................................................. Irving Pichel, 1950.
Railroaded!........................................................... Anthony Mann, 1947
Rain or Shine............................................................. Frank Capra, 1930
Ratten, Die ...........................................................Robert Siodmak, 1955
Razor's Edge, The............................................... Edmund Goulding, 1946
Reckless Moment, The ...................................................Max Ophüls, 1949
Reconstituirea........................................................Lucian Pintilie, 1968
Reflecting Skin The ..............................................Philip Ridley, 1990
Residencia, La .......................................... Narciso Ibáñez Serrador, 1969
Return of Dracula....................................................Paul Landres, 1958
Ricomenzare da tre................................................. Massimo Troisi, 1981
río y la muerte El.....................................................Luis Buñuel, 1955
Rokudenashi........................................................ Yoshishige Yoshida, 1960
Rolling Thunder......................................................John Flynn, 1977
Roma, città aperta................................................. Roberto Rossellini, 1945
Romeo, Julia a tma................................................Jirí Weiss, 1960
Rope...................................................................Alfred Hitchcock, 1948
Rounders The.................................................... ....Burt Kennedy, 1965
Sacco e Vanzetti................................................. Giuliano Montaldo, 1971
Salaire de la pour, Le..........................................Henri-Georges Clouzot, 1953
Salamandre, La..........................................................Alain Tanner, 1971
Salt of the Earth............................................. Herbert J. Biberman, 1954
Salute...................................................... John Ford & David Butler, 1929
Sapphire .................................................................. Basil Dearden, 1959
Scared Stiff................................................George Marshall, 1953
Scarlet Street............................................................Fritz Lang, 1946
Scars of Dracula................................................Roy Ward Baker, 1970
Scusate il ritardo........................................ Massimo Troisi, 1983
Searchers, The..................................................John Ford, 1956
Second chance................................................Rudolph Mate,1953
Seconds........................................................ John Frankenheimer, 1966
Section spéciale ................................................. Costa Gavaras, 1975
Selva Trágica....................................................... Roberto Farias, 1963
Send Me No Flowers.................................................. Norman Jewison, 1964
Serpent's egg, The ..................................................Ingmar Bergman, 1977
Seven Ways from Sundown......................................Harry Keller, 1960
SF: Episode One.....................................................Hiroyuki Nakano, 1998
Shadow of a Doubt................................................ Alfred Hitchcock, 1943
Shanghai Express...................................................Josef von Sternberg, 1932
Shine......................................................................Scott Hicks, 1996
Shockproof .............................................................Douglas Sirk, 1949)
Shout, The..............................................................Jerzy Skolimowski, 1978
Show, The.............................................................Tod Browning, 1927
Sibiryaki.................................................................Lev Kuleshov, 1940
Signe du lion, Le.................................................... Eric Rohmer, 1959
Signora di tutti, La................................................. Max Ophuls, 1934
Silver Lode, ......................................................... Allan Dwan, 1954
Silent Enemy, The...................................................William Fairchild, 1958
Simple Men..............................................................Hal Hartley, 1992
Singin' in the Rain..................................Stanley Donen, Gene Kelly, 1952
Sisters, The.........................................Anatole Litvak, 1938
Skepp till India land............................. Ingmar Bergman, 1947
Slave Girl...............................................................Charles Lamont, 1947
Schloß, Das............................................................. Michael Haneke, 1997
Snow White and the Three Stooges.......................... Walter Lang, 1961
Sorok pervyy.......................................................Grigoriy Chukray, 1956
Soy Cuba.................................... Mikhail Konstantinovich Kalatozov, 1964
Spalovac mrtvol.............................................Juraj Herz, 1969
Spider Baby....................................................... Jack Hill, 1968
Squirm.............................................................Jeff Lieberman, 1976
Stagioni del nostro amore, Le...............................Florestano Vancini, 1966
Star Wars.................................................................. George Lucas, 1977
Stars in My Crown............................................... Jacques Tourneur, 1950
Steel Trap, The.....................................................Andrew L. Sone, 1952
Stefan Luchian......................................................Nicolae Margineanu, 1983
Stille nach dem Schuß, Die .............................. ..........Volker Schlöndorff, 2000
Stopover Tokyo............................................... Richard L.Bare, 1957
Storm center..........................................................Daniel Taradash, 1956
Story of Manking, The................................................Irwin Allen, 1957
The strange one....................................................Jack Garfein, 1957
Strangers when we meet................................................Richard Quine, 1960
Strawberry Statement, The...........................................Stuart Hagman, 1970
Stromboli.............................................................Roberto Rossellini, 1950
Sudden Manhattan......................................................Adrienne Shelly, 1996
Suez..................................................................Allan Dwan, 1938
Sull'altra, Una....................................................Lucio Fulci,1969
Sullivan's Travels....................................................Preston Sturges, 1941
Sunset Boulevard ................................................ Billy Wilder, 1950
Sur, ................................................................. Fernando E. Solanas, 1988
Suspect, The ..........................................................Robert Siodmak,1944
Susuz yaz..................................................................Metin Erksan, 1963
Sweet November...................................................Robert Ellis Miller, 1968
Sweet Smell of Success............................... Alexander Mackendrick, 1957
Swimmer, The............................................................. Frank Perry, 1968
Sympathy for the Devil........................................Jean-Luc Godard, 1968
Take Me to Town.........................................................Douglas Sirk, 1953
Take the money and run............................................. Woody Allen, 1969
Tales of Manhattan.....................................................Julien Duvivier, 1942
Tarahumara (Cada vez más lejos)........................................Luis Alcoriza, 1965
Tarantula..............................................................Jack Arnold, 1955
Tenebre................................................................Dario Argento, 1982
Themroc................................................................Claude Faraldo, 1973
There's Always Tomorrow.....................................Douglas Sirk, 1956
Thin Red Line, The..................................................Andrew Marton, 1964
Three days of the Condor......................................... Sydney Pollack, 1975
Three Faces of Eve, ................................................ Nunnally Johnson, 1957
Thunder Road.............................................................Arthur Ripley, 1958
Tiempo de revancha................................................. Adolfo Aristarain, 1981
Tiger Shark............................................................. Howard Hawks, 1932
Tip on a dead jockey.................................................Richard Thorpe, 1957
To Dorothy a son........................................................... Muriel Box, 1954
To Kill a Mockingbird.................................................Robert Mulligan, 1962
To the Devil a Daughter.............................................Peter Sykes, 1976
Toni.................................................................. Jean Renoir, 1935
Torre de los siete jorobados, La .................................. Edgar Neville, 1944
Towering inferno, The...................................John Guillermin, 1974
Transito.......................................................Eduardo Manet, 1964
Trap, The ................................................Norman Panama, 1959
Trespasser, The....................................................Edmund Goulding, 1929
Twist of fate.....................................................David Miller, 1954
Two for the Road...................................................Stanley Donen, 1967
Ultimo deseo......................................................Leon Klimovsky,1976
Umrao jaan.........................................................Muzaffar Ali,1981
Undercurrent........................................................... Vicente Minelli, 1946
Unheimliche Mönch, Der ..................................Harald Reinl, 1965
Until they sale......................................................Robert Wisw, 1957
Uz zase skácu pres kaluze................................ Karel Kachyna, 1971
Valley of decision......................................................... Tay Garnett, 1945
Vampire, The ...........................................................Paul Landres, 1957
Vampire's kiss..............................................................Robert Bierman,1988
Vargtimmen........................................................ Ingmar Bergman, 1968
Vec vidjeno.............................................................Goran Markovic, 1987
Verano para matar, Un ............................... Antonio Isasi-Isamendi, 1972
Verdes praderas, Las............................................Jose Luis Garci, 1979
Verdugo, El.....................................................Luis García Berlanga, 1963
Verité, La ...........................................................H. G. Clouzot, 1960
Vice Raid .......................................................Edward L.Cahn, 1960
Vigile, Il......................................................Luigi Zampa, 1960
Vigil in the night.........................................George Stevens, 1940
Vinterviken................................................................Harald Hamrell, 1996
Violetera, La ....................................Luis Cesar Amadori, 1958
Voici le temps des assassins...........................................Julien Duvivier, 1956
Voodoo Island..........................................................Reginald LeBorg, 1957
Wait until dark........................................................Terence Young, 1967
War, The.............................................................John Avnet, 1994
War and peace......................................................King Vidor, 1956
War of the colossal beast......................................Bert I.Gordon, 1958
Watcher in the woods................................................John Hough, 1980
Waterloo bridge........................................................James Whale, 1931
Weack and the wicked, The.......................J.Lee Thompson, 1954
Weddings and Babies.................................................Morris Engel, 1958
Westerner, The........................................................William Wyler, 1940
What's the Matter with Helen?................................Curtis Harrington,1971
When Eight Bells Toll ................................................Etienne Pèrier, 1971
Where the Boys Are....................................................Henry Levin, 1960
Who Is Killing the Great Chefs of Europe?......................Ted Kotcheff, 1978
Wicker Man, The.......................................................Robin Hardy, 1973
Willow................................................................Ron Howard, 1988
Witness to murder.....................................................Roy Rowland, 1954
Wolfen...........................................................Michael Wadleigh, 1981
Woman in the Window, The.............................................Fritz Lang, 1944
Wuthering Heights.....................................................William Wyler, 1939
Yeux sans visage................................................Georges Franju, 1960
You and Me, ...................................................... Fritz Lang, 1938
Youth Runs Wilde,............................................... Mark Robson, 1944
Yoyo...........................................................................Pierre Étaix, 1965
Yukinojô hengre.........................................................Kon Ichikawa, 1963
Zabil jsem Einsteina, panove............................................Oldrich Lipský, 1970
Zerkalo.................................................................Andrei Tarkovsky, 1975
Zimmer 13................................................................. Harald Reinl, 1964