Acierta el título

[elfede]

Rokudenashi (Yoshishige Yoshida,1960)Japan

[muriel]

Chi wa kawaiteru (Yoshishige Yoshida, 1960)

Esa no, Doña Muriel, la otra.

no vi tu mje.

[tosoenelcine]

Rokudenashi (Yoshishige Yoshida,1960)Japan

¡Elfede, qué manera de escupirle el asado a Doña Muriel!



muriel....................53
carioco............. ....51
Gooffy....................46
chuschao................38
fifole......................22
Kima......................18
Tosoenelcine...........13
Greystoke...............11
Preacher...................9
elfede......................8
dark_rainbow56.........7
boss0506..................7
Kuddel.....................6
Juramentado.............6
busterkitton..............5
Bunker.....................4
gilles.......................4
vozidar.....................3
Lila..........................2
Kimkiduk..................2
Forrest Gump............2
Loperena..................2
Germán....................1
Crusoe......................1
Pgmele.....................1
Jotarapidup...............1
Mabuse.....................1
pequenio...................1
jorgín........................1
gatatitania................1
acg110080................1

Código: Seleccionar todo

    Action of the tiger............................................. Terence Young, 1957
    Aguirre, der Zorn Gottes........................................ Werner Herzog, 1972
    Alexandre le bienheureux........................................ Yves Robert, 1967
    Alligator people, The....................................................Roy del Ruth, 1959
    À mort l'arbitre.......................................................Jean-Pierre Mocky, 1984
    Amour d'une femme, L'..........................................Jean Gremillon, 1953
    An Angel at My Table.................................................Jane Campion, 1990
    Apa..................................................................... István Szabó, 1966
    Aparajito..................................................................Satyajit Ray, 1957
    Asfaltilampaat ....................................................... Mikko Niskanen, 1968
    Atoll K (Utopía) ........................................................Leo Joannon, 1951
    Attack of the puppet people......................................Bert I.Gordon, 1958
    Atto d'accusa....................................................Giacomo Gentilomo, 1950
    Aussi longue absence, Une.................................... Henri Colpi, 1961
    Azucar amarga.......................................................León Ichaso, 1996
    Bajo un mismo rostro.......................................Daniel Tynaire, 1962.
    Ball of fire................................................................Howard Hawks, 1941
    Barro humano, El...........................................Luis Cesar Amadori, 1955
    Batallón de sombras, El...........................................Manuel Mur Oti, 1957
    Belle equipe, La .......................................................Julien Duvivier, 1936
    Big heat, The..................................................... Fritz Lang, 1953
    Big shakedown, The..........................................John Francis Dillon, 1934
    Birds, The..............................................................Alfred Hitchcock, 1963
    Bisturí, la maffia blanca..........................................Luigi Zampa, 1974
    Boca del lobo, La ....................................................Francisco J.Lombardi, 1988
    Body and soul........................................................Robert Rossen, 1947
    Boulevard..............................................................Julien Duvivier, 1960
    Breza.....................................................................Ante Babaja, 1967
    Brief encounter................................................... David Lean, 1945
    Bruto, El................................................................Luis Buñuel, 1953
    Brutti, sporchi e cattivi,..........................................Etore Scola, 1976
    Büchse der Pandora, Die........................................G. W. Pabst, 1929
    Bullfighter and the lady..........................................Budd Boetticher, 1951
    Bure baruta.......................................................Goran Paskaljevic, 1998
    Buta to Guntan....................................................Shôhei Imamura, 1961
    Cabaret...................................................................Bob Fosse, 1972
    Cabinet of Caligari, The............................................Roger Kay, 1962
    Caccia all'uomo........................................................Riccardo Freda, 1961
    Campana del infierno, La................................... Claudio Guerin-Hill, 1973
    Canoa...................................................................Felipe Cazals, 1976
    Caporal éplingé, Le..................................................Jean Renoir, 1962
    Captive wild woman .............................................Edward Dmytryk, 1943
    Caravaggio............................................................Derek Jarman, 1986
    Career ...................................................................Joseph Anthony, 1959
    Carnet de bal, Un....................................................Julien Duvivier, 1937
    Casque d'or.............................................................Jacques Becker, 1952
    Cena, La.................................................................Ettore Scola, 1998
    Cerný Petr..............................................................Milos Forman, 1964
    Cesta do Praveku....................................................Karel Zeman, 1955
    Charada.................................................................Stanley Donen, 196
    charme discret de la bourgeoisie, Le........................Luis Buñuel, 1972
    Champagne for Caesar...........................................Richard Whorf, 1950
    Checkpoint - Sangre en el asfalto...........................Ralph Thomas, 1959
    Chosen Survivors ..................................................Sutton Roley, 1974
    Ciske de Rat....................................................... Wolfgang Staudte, 1955
    Cléo de 5 à 7 .......................................................Agnès Varda, 1962
    Confessione di un commissario............................ Damiano Damiani, 1971
    Clonus Horror, The................................................Robert S. Fiveson, 1979
    Combat dans l'île, Le ............................................Alain Cavalier, 1962
    Contes immoraux.............................................Walerian Borowczyk, 1974
    Corruzione, La ...................................................Mauro Bolognini, 1963
    Covek nije tica.....................................................Dusan Macavejev, 1965
    Copycat...............................................................John Amiel, 1995
    Crimen ................................................................Mario Camerini, 1960
    Days of heaven.................................................. Terrence Mallick, 1978
    Dead men don´t wear plaid..................................Bob Reiner,1982
    Dead Ringer..........................................................Paul Henreid, 1964
    Deadly Friend.......................................................Wes Craven, 1986
    Dédée d'Anvers.....................................................Yves Allégret, 1948
    Deep End............................................................Jerzy Skolimowski, 1970
    De l'amour............................................................Jean Aurel, 1964
    Delitto d'amore.....................................................Luigi Comencini, 1974
    Derecho de nacer, El...................................Zacarías Gómez Urquiza, 1952
    Der Einstein des sex.................................Rosa von Praunheim, 1999
    Des gens sans importance............................Henri Verneuil, 1956
    Devil and Miss Jones, The......................................Sam Wood, 1941
    Devil Rides Out, The.............................................Terence Fisher, 1968
    Devil´s agent, The ..........................................John Paddy Carstairs, 1962
    Devil´s rain......................................................Robert Fuest, 1975
    Dialogue des carmelites.............................PAgostini, RLBruckberger, 1960
    Die flambierte Frau....................................Robert van Ackeren, 1983
    Die letzte Brücke..............................................Helmut Käutner, 1954
    Dillinger..........................................................John Milius, 1973
    Distant Drums...................................................Raoul Walsh, 1951
    Distant Trumpet, A.............................................Raoul Walsh, 1964
    Divorzio all'italiana..............................................Pietro Germi, 196
    Doce sillas, Las.............................................. Tomas Gutierrez Alea, 1962
    Don´t look now..................................................Nicolas Roeg, 1973
    Dorp aan de rivier.............................................Fons Rademakers, 1958
    Doulos, Le.........................................................Jean-Pierre Melville, 1962
    Down by Law...................................................Jim Jarmusch, 1986
    Du rififi chez les hommes..................................Jules Dasin, 1955
    Duel in the jungle..........................................George Marshall, 1954
    Eaux profondes.............................................Michel Deville,1981
    Effi Briest..................................................Rainer Werner Fassbinder, 1974
    Ein blonder traum..............................................Paul Martin, 1932
    En lektion i kärlek............................................Ingmar Bergman, 1954
    Ensayo de un crimen...................................... Luis Buñuel, 1955
    Eraserhead......................................................David Lynch. 1977
    Es geschah am hellichten Tag.............................Ladislao Vadja, 1958
    Escopeta nacional, La......................................Luis García Berlanga, 1978
    Esperando la carroza.............................................. Alejandro Doria, 1985
    Evdokia.................................................................Alexis Damianos, 1971
    Exilio de Gardel, El ............................................. Fernando Solanas, 1985
    Fair Wind to Java..................................................Joseph Kane 1953
    Family plot............................................................ Alfred Hitchcock, 1976
    Fashions of 1934................................................... William Dieterle, 1934
    Fiend who walked the west, The ...........................Gordon Duglas, 1958
    Fire in the sky.....................................................Robert Lieberman, 1993
    Flight of the Phoenix, The .....................................Robert Aldrich, 1965
    Foreign Intrigue...................................................Sheldon Reynolds, 1956
    Fortune carrée......................................................Bernard Borderie, 1955
    From Hell to Texas................................................ Henry Hathaway, 1958
    From here to eternity............................................Fred Zinnemann, 1953
    General, The..................................................... Keaton, Bruckman, 1926
    Gentleman Jim....................................................Raoul Walsh,
    Ghost Dog, The Way of the Samurai......................Jim Jarmusch, 1999
    Girolimoni, il mostro di Roma................................Damiano Damiani, 1972
    Good Morning Babilonia.......................................Hermanos Taviani, 1986
    Golfos, Los............................................................Carlos Saura, 1960
    Gorille vous salue bien, Le.................................... Bernard Borderie. 1958
    Gone with the Wind ..............................................Victor Fleming, 1939
    Grande Guerra, La..................................................Mario Monicelli, 1959
    Green Light..............................................................Frank Borzage, 1937
    Groundhog Day..........................................................Harold Ramis, 1993
    Hamlet...................................................................Laurence Olivier, 1948
    Han matado a un cadaver ......................................... Julio Salvador, 1962
    Hardly Working............................................................. Jerry Lewis, 1980
    Historia oficial, La................................................. Luis Puenzo, 1985
    he knows you´re alone.....................Armand MKastroiani, 1980
    Home, Sweet Home...............................................David W. Griffith, 1914
    Homme aux cleffs d´or-L´.......................................Leo Joannon,
    High Cost of Loving, The...........................................José Ferrer, 1958
    Hijo del crack, El.......................................Torres Ríos, Torre-Nilsson, 1953
    Hin helgu vé....................................................Hrafn Gunnlaugsson, 1993
    House of numbers....................................................Russell Rousse, 1957
    Ikiru...................................................................Akira Kurosawa, 1952
    In jenen Tagen....................................................Helmut Käutner, 1947
    Intolerable Cruelty....................................... Joel Coen, Ethan Coen, 2003
    Invasion of the Bee Girls.......................................... Denis Sanders, 1973
    Island of Terror......................................................... Terence Fisher, 1966
    It always rains on sunday.......................................... Robert Hamer, 1947
    I Was a Communist for the FBI............................... Gordon Douglas, 1951
    Jeu de la verité, Le ...............................................Robert Hossein
    Johnny Belinda........................................................Jean Negulesco, 1948
    Juego de la oca, El................................................Manuel Summers, 1965
    Juliette ou la clef des songes....................................... Marcel Carné, 1951
    Jungfrukällan.........................................................Ingmar Bergman, 1960
    Khang lang phap........................................................Cherd Songsri, 2001
    Killing, The..............................................................Stanley Kubrick, 1956
    Kindred, The.......................................................Stephen Carpenter,1987
    Kiss me, deadly......................................................... Robert Aldrich, 1955
    Kochiyama Soshun...............................................Sadao Yamanaka, 1936
    Körhinta...............................................................Zoltan Fabri, 1956
    Koroshi no rakuin..................................................Seijun Suzuki, 1967
    Kozijat rog............................................................. Metodi Andonov, 1972
    Kundskabens træ....................................................Nils Malmros, 1981
    Krylya.....................................................................Larisa Shepitko, 1966
    Lady Eve, The...........................................................Preston Sturges, 1941
    Ladybug Ladybug....................................................Frank Perry, 1963
    lL`anticristo..............................................Sergio de Mart6ino, 1974
    Last Tango in Paris............................................Bernardo Bertolucci, 1972
    Lautarii.............................................................Emil Loteanu, 1972
    La Fille Aux Yeux D'Or................................... Jean-Gabriel Albicocco, 1961
    La prima notte di quiete .....................................Valerio Zurlini, 1972
    La Salamandre..........................................................Alain Tanner, 1971
    Le stagioni del nostro amore...............................Florestano Vancini, 1966
    Les amants du Pont-Neuf......................................Leos Carax, 1991
    Letyat zhuravli...................................................Mikhail Kalatozov, 1957
    Life and Death of Colonel Blimp, The......................Michael Powell, 1943
    Limelight................................................................Charles Chaplin, 1952
    Limping Man, The....................................................Cy Endfield, 1953
    L'important c'est d'aimer.........................................Andrzej Zulawski, 1975
    Little foxes, The................................................ Willliam Wyler, 1941
    Lonelyhearts......................................................Vincent J.Donehue, 1958
    Los pájaros de Baden-Baden.................................Mario Camus, 1975
    Lucía......................................................................Humberto Solás, 1968
    Lugar del humo......................................................Eva Landeck, 1979
    Malibran, La............................................................Sacha Guitry, 1944
    Mami Blue.............................................. Miguel Ángel Calvo Buttini, 2010
    Majstori, majstori..................................................Goran Markovic, 1980
    Majo no takkyubin...................................................Hayao Miyazaki. 1989
    Man Affraid..............................................................Harry Keller, 1957
    Man to Man...............................................................Allan Dwan, 1930
    Marianne de ma jeunesse ........................................ Julien Duvivier, 1955
    Marnie...................................................................Alfred Hitchcock, 1964
    Martin Roumagnac................................................George Lacombe, 1946
    Mephisto waltz, The ................................................Paul Wendkos, 1971
    Mother India........................................................... Mehboob Khan, 1957
    Mia zoi tin ehoume.................................................. Yorgos Javellas, 1958
    Mifunes sidste sang.......................................Søren Kragh-Jacobsen, 1999
    Ministry of Fear..........................................................Fritz Lang, 1944
    Miracle worker, The...................................................... Arthur Penn, 1962
    Misterios de ultratumba...................................... Fernando Méndez, 1959
    Mononoke-hime......................................................Hayao Miyazaki, 1997
    Monsieur Verdoux...................................................Charles Chaplin, 1947
    Mordets melodi........................................................Bodil Ipsen, 1944
    mort en ce jardin, La ..............................................Luis Buñuel, 1956
    Mundo sigue, El........................................Fernando Fernán Gómez, 1963
    Nana.................................................................... Christian-Jacque, 1955
    Nella città l'inferno.............................................. Renato Castellani, 1959
    New York Stories......................... W.Allen, F. F. Copolla, M. Scorsese, 1989
    Non credo più all'amore .......................................Roberto Rossellini, 1954
    Notti di Cabiria, Le....................................................Federico Fellini, 1957
    Nunta de piatra...........................................Dan Pita, Mircea Veroiu, 1973
    Nuovi mostri, I............................................. Monicelli, Risi, Scola, 1977
    Obssession ........................................................ Edward Dmytryck, 1949
    Obchod na Korze........................................................ Kadar y Klos, 1965
    Odd Man Out.................................................................Carol Reed, 1947
    Odessa file, The........................................................Ronald Neame, 1974
    Oeil du malin, L'...................................................... Claude Chabrol, 1962
    Once upon a time in America.......................................Sergio Leone, 1984
    O pagador de promessas...........................................Anselmo Duarte, 1962
    Ordonnance, L'.................................................... Viktor Tourjanski, 1933
    Ordres, Les.........................................................Michel Brault, 1974
    Ossessione............................................................ Luchino Visconti, 1943
    Othello...................................................................Stuart Burge, 1965
    Otra, La ........................................................Roberto Gavaldón, 1946
    Out of the fog.......................................................... Anatole Litvak, 1941
    Padre nuestro....................................................Francisco Regueiro, 1985
    Palm Beach Story, The........................................Preston Sturges, 1942
    Paperhouse.......................................................Bernard Rose, 1988
    Panic in Needle Park, The ..................................... Jerry Schatzberg, 1971
    Paolo e Francesca.................................................Raffaello Matarazzo, 1949
    Parapluies de Cherbourg, Les ....................................Jacques Demy, 1964
    Paris brûle-t-il?.........................................................René Clément, 1966
    Perfect Friday............................................................Peter Hall, 1970
    Pociag................................................................Jerzy Kawalerowicz, 1959
    Pokolenie....................................................... Andrzej Wajda, 1955
    Possession..........................................................Andrzej Zulawski, 1981
    Przesluchanie................................................Ryszard Bugajski, 1989
    Princess Bride, The..........................................................Rob Reiner, 1987
    Prospero's Books...................................................Peter Greenaway, 1991
    Psycho ..................................................................Alfred Hitchcock, 1960
    Return of Dracula....................................................Paul Landres, 1958
    Quai des Orfèvres........................................ Henri-Georges Clouzot, 1947
    Quatre cents coups, Les....................................... François Truffaut, 1959
    Rain or Shine............................................................. Frank Capra, 1930
    Ratten, Die ...........................................................Robert Siodmak, 1955
    Razor's Edge, The............................................... Edmund Goulding, 1946
    Residencia, La .......................................... Narciso Ibáñez Serrador, 1969
    Ricomenzare da tre................................................. Massimo Troisi, 1981
    Rokudenashi........................................................ Yoshishige Yoshida, 1960
    Roma, città aperta................................................. Roberto Rossellini, 1945
    Rope...................................................................Alfred Hitchcock, 1948
    Sacco e Vanzetti................................................. Giuliano Montaldo, 1971
    Salt of the Earth............................................. Herbert J. Biberman, 1954
    Salute...................................................... John Ford & David Butler, 1929
    Sapphire .................................................................. Basil Dearden, 1959
    Scarlet Street............................................................Fritz Lang, 1946
    Seconds.......................................................... John Frankenheimer, 1966
    Selva Trágica............................................................ Roberto Farias, 1963
    Signe du lion, Le......................................................... Eric Rohmer, 1959
    Signora di tutti, La.................................................. Max Ophuls, 1934
    Silent Enemy, The..................................................William Fairchild, 1958
    Singin' in the Rain..................................Stanley Donen, Gene Kelly, 1952
    Skepp till India land............................. Ingmar Bergman, 1947
    Slave Girl...............................................................Charles Lamont, 1947
    Soy Cuba.................................... Mikhail Konstantinovich Kalatozov, 1964
    Spalovac mrtvol.............................................Juraj Herz, 1969
    Squirm.............................................................Jeff Lieberman, 1976
    Star Wars.................................................................. George Lucas, 1977
    Stars in My Crown............................................... Jacques Tourneur, 1950
    Steel Trap, The...................................................... Andrew L. Sone,
    Stille nach dem Schuß, Die .................................Volker Schlöndorff, 2000
    Stopover Tokyo............................................... Richard L.Bare, 1957
    Storm center..........................................................Daniel Taradash, 1956
    Suez.......................................................................Allan Dwan, 1938
    Sullivan's Travels....................................................Preston Sturges, 1941
    Suspect, The ..........................................................Robert Siodmak,1944
    Sweet Smell of Success............................... Alexander Mackendrick, 1957
    Swimmer, The............................................................. Frank Perry, 1968
    Sympathy for the Devil........................................Jean-Luc Godard, 1968
    Take Me to Town.........................................................Douglas Sirk, 1953
    Take the money and run............................................. Woody Allen, 1969
    Tales of Manhattan...................................................Julien Duvivier, 1942
    Tarantula..................................................................Jack Arnold, 1955
    The Fugitive....................................................................John Ford, 1955
    The Reckless Moment...................................................Max Ophüls, 1949
    The shout............................................................Jerzy Skolimowski, 1978
    Themroc................................................................Claude Faraldo, 1973
    Three days of the Condor......................................... Sydney Pollack, 1975
    Thin Red Line, The..................................................Andrew Marton, 1964
    Thunder Road.............................................................Arthur Ripley, 1958
    Tiempo de revancha................................................. Adolfo Aristarain, 1981
    Tiger Shark............................................................. Howard Hawks, 1932
    Tip on a dead jockey.................................................Richard Thorpe, 1957
    To Dorothy a son........................................................... Muriel Box, 1954
    Toni.................................................................. Jean Renoir, 1935
    Torre de los siete jorobados, La .................................. Edgar Neville, 1944
    Trenes rigurosamente vigilados....................................... Jiri Menzel, 1966
    Trespasser, The....................................................Edmund Goulding, 1929
    Undercurrent........................................................... Vicente Minelli, 1946
    Une femme à sa fenêtre................................Pierre Granier-Deferre, 1976
    Une femme douce...............................................Robert Bresson, 1969
    Un grand patron.......................................................... Yves Ciampi, 1951
    Uz zase skácu pres kaluze................................ Karel Kachyna, 1971
    Valley of decision......................................................... Tay Garnett, 1945
    Vec vidjeno.............................................................Goran Markovic, 1987
    Vargtimmen........................................................ Ingmar Bergman, 1968
    Verano para matar, Un ............................... Antonio Isasi-Isamendi, 1972
    Verdes praderas, Las................................................Jose Luis Garci, 1979
    Vigile, Il.....................................................................Luigi Zampa, 1960
    Voodoo Island.........................................................Reginald LeBorg, 1957
    Wait until dark..........................................................Terence Young, 1967
    When Eight Bells Toll ................................................ Etienne Pèrier, 1971
    Where the Boys Are.................................................... Henry Levin, 1960
    Wicker Man, The.......................................................... Robin Hardy, 1973
    Witness to murder.......................................................Roy Rowland, 1954
    Woman in the Window, The.............................................Fritz Lang, 1944
    Wuthering Heights.....................................................William Wyler, 1939
    Yoyo...........................................................................Pierre Étaix, 1965
    Yukinojô hengre.........................................................Kon Ichikawa, 1963
    Zerkalo................................................................ Andrei Tarkovsky, 1975
    Zimmer 13................................................................. Harald Reinl, 1964

Adelante, elfede!

[muriel]

la pista me la dieron los edificios que ve desde el coche. He comparado las dos pelis, y practicamente tienen las mismas capturas . bueno otra vez será, pero esta me la había ganado a pulso.

[tosoenelcine]

No dejes las cosas así, muriel. ¡¡¡A por venganza!!!

Eso sí, ya sabés que si te llega a pasar conmigo (a vos o a cualquier otro), no voy a dudar en escupirte el asado lo antes posible. No es porque me importe el puntaje, sino de puro sádica.

[Gooffy]

Y bué...!!!! ha sucedido antes, nos ha sucedido a todos y casi todos lo hemos hecho, quien esté libre de culpas que tire la primera piedra, perooooo.... más que una escupida, elfede, fué un vómito...!!!! . Yo también aclaro, yo trato de ayudar, pero si me encontrara con que dan esas pistas, no vacilaría en atacarle la dignidad a quien sea, total es un juego y como tal lo tomo

[tosoenelcine]

Y... sí... es un juego y a mí estas cosas me causan mucha gracia (aún cuando me pasan a mí).

Admito que yo di esa pista porque estaba muriel en línea, como para darle el pase (es más, le hablé directamente a ella). De otra manera, creo que me hubiera limitado a algo estilo "Uno de los dos directores es correcto" y lo dejaba un apenitas más difícil. Pero elfede tuvo un don de la oportunidad increíble.

[elfede]

me parece que nadie me quiere, si miran los horarios de respuestas, me habré vuelto invisible ?; si veo que muriel no contesta, contesto yo, porque igual alguien le iba a escupir el asado. Perdón muriel, sere tu esclavo, te lo pido de rodillas y sobre piedras puntiagudas. Como castigo para mí, pongo una peli bien facil jiji, aunque ya me veo que en vez de escupir al asado, me escupirán a mí

[carioco]

Qué va, elfede. Sí te queremos. Lo de las bromas con lo de escupir el asado vienen ya de antiguo, desde que jugábamos en Ci-Cl. No te lo tomes a mal, que no hay mala intención ni mucho menos.

A Clockwork Orange, de Kubrick (EEUU, Gran Bretaña, 1971) Aunque el baúl no me cuadra mucho.

[tosoenelcine]

Elfede, ya admitimos que hubiéramos hecho lo mismo que vos y que todos en algún momento estuvimos en el lugar de muriel. Así que te seguimos queriendo (por ahora)

Eso sí, después de "escupir un asado ajeno", hay que aguantar las bromas y reproches de los demás. Es ley. Además de ser el esclavo de Doña Muriel por el tiempo que ella determine (yo te daría un año, pero veamos qué opina ella )