Cinefórum-Clásico

En Speaking Parts un actor secundario llamado Lance (McManus) trabaja como guardián de un hotel, siendo su verdadero trabajo el de gigoló. Una colega esta obesionada con él, pero Lance la ignora y evita. Deja su curriculum vitæ actoral en el cuarto de una guionista, que está realizando audiciones para un telefilme basado en la historia verdadera de su fallecido hermano. Lo escoge para que interprete el papel protagónico y los dos comienzan un romance. Ella se muestra cada vez más angustiada, pues es claro que el productor está cambiando su historia. (Wikipedia)

A postmodern thriller about loss, love, power and the distance that modern technology puts between us. Zeitgeist Films

Atom Egoyan plays with themes, or wisps of themes, among them confused identities, the battle between video and film, and commercial appropriation of human lives. Dennis Grunes

It is precisely one of the major thrusts of Speaking Parts to question whether that is possible, to explore the relationship between image and identity, to lay bare what should now be very obvious, images are ubiquitous and it is not all that clear whether questions of identity, both national and personal can ever be separated from the transformations which images have engendered. Ron Burnett: An introdution to the film Speaking Parts, by Atom Egoyan

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