La vie est un roman
La vida es una novela - Life is a bed of roses
http://www.imdb.com/title/tt0086542/
La vida es una novela - Life is a bed of roses
http://www.imdb.com/title/tt0086542/
Dirección: Alain Resnais
Guión: Jean Gruault
Música: M. Philippe-Gérard
Fotografía: Bruno Nuytten
Reparto: Vittorio Gassman (Walter Guarini), Ruggero Raimondi (Comte Michel Forbek), Geraldine Chaplin (Nora Winkle), Fanny Ardant (Livia Cerasquier), Pierre Arditi (Robert Dufresne), Sabine Azéma (Élisabeth Rousseau), Robert Manuel (Georges Leroux), Martine Kelly (Claudine Obertin), Samson Fainsilber (Zoltán Forbek), Véronique Silver (Nathalie Holberg), André Dussollier (Raoul Vandamme)
Sinopsis: Film de compleja estructura argumental, que entrelaza tres historias que transcurren en un castillo. La primera y principal (las otras dos transcurren casi como contrapunto) tiene como protagonista al diseñador del castillo, está ambientada en 1919 y satiriza a la aristocracia de posguerra. La segunda incorpora elementos de la educación y el más allá y la tercera tiene como protagonistas a tres chicos que han ido a pasar sus vacaciones al castillo.
James Travers escribió:The relationship between times past and present is a recurrent theme in Alain Resnais’ cinema. Whereas his earlier films adopt an abstract, often bewildering, approach, his later films, and La Vie est un roman is a prime example of this, opt for the more direct path. In this particular film, past and present are represented by two completely separate story strands. Yet they overlap and have so much in common (the location, the quest for Utopia) that we feel we are watching the same story from two different perspectives. There is also a third story, less developed, involving some medieval dungeons and dragons type characters – utterly perplexing but strangely adding to the structure of the film.
Such a film could only be possible if it were created by a great director who had the services of an equally talented photography director. This film has both, and that is quite evident from the first five minutes of the film. Nuttyen’s camera work is not just impressive – it is sumptuous and captivating. It is often remarked that one of the distinguishing features of Resnais’ films is that the audience is spellbound from start to finish – once their attention has been grabbed, it isn’t released until the “Fin” caption comes up. Whilst La Vie est un roman is not in the league of some of Resnais’ earlier works, such as L’Année dernière à Marienbad , it is nonetheless a stunningly filmed piece of cinema.
The presence of such a strong cast is almost incidental, but the film is certainly enhanced by such actors as Ruggero Raimondi as the dangerously obsessed Count Forbek and Fanny Ardant as his cheating wife. The final scenes between these two actors are so charged that you feel anything could happen - and it does.
The icing on the cake has to be the eerie music which accompanies the film from start to finish. It is really very unsettling to have such music, which would seem to have been composed for a gory thriller, being played against scenes which appear mildly comic. Resnais seems to be reminding us that beneath the surface there lurks something quite unpleasant. The message is reinforced by the constant jaunts from 1982 back to the 1910s, in a strange and disturbing mélange of light comedy with gothic horror. The errors of the past manage to create a resonance in the present - a typically Resnais-esque notion of time and memory.
Datos técnicos:
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La Vie Est Un Roman Fr (1983) Alain Resnais.avi [701.21 Mb] 
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(Traducidos por arremula y jordan)
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La Vie Est Un Roman Fr (1983) Alain Resnais.avi [701.21 Mb] Subtítulos en castellano: Descarga directa en Titles
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